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The genesis of this cultural bond lies in the movement led by the towering figure of G. Aravindan and the troika of M.T. Vasudevan Nair and P. Bhaskaran. They rejected the studio-bound artificiality of early cinema for the raw, breathing landscapes of the countryside.

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Manichitrathazhu (1993), widely regarded as one of the greatest psychological thrillers in Indian cinema, brilliantly juxtaposed traditional Kerala folklore and superstition against modern psychiatry. The genesis of this cultural bond lies in

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